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I was today years old when I learned about single

Folk-punk and the role of humor in political music is one of the things that separates the great folk-punk records from the merely earnest ones.

Humor in political music has a specific function: it creates a moment of release that lets the emotional argument land more fully. A song that is unrelentingly serious becomes fatiguing. A song that earns a moment of recognition through humor can follow it with something heavier that hits twice as hard.

The tradition in folk-punk goes back through the history of the protest song. Woody Guthrie was funny. Phil Ochs was funny. The humor wasn't a distraction from the politics; it was part of what made the politics accessible and durable.

The folk-punk artists who get this balance right are rare because it requires genuine wit, not just irony. Irony is easy and can be cold. Wit is warm and requires the audience to be with you.

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